Drawing from her coming-of-age as the child of an Italian immigrant, the othering she encountered as a city kid residing in the rural South, and her experience as an immigrant living and working abroad, LA-based visual artist Debra Scacco creates multimedia artwork that charts a course towards understanding cultural identity (including her own), exploring "placelessness" and pinpointing personal history as a port of entry for continual investigation of geography and environment.
Whether she's writing about queer politics, racial justice, or rape culture, writer, activist, and social media maven Carmen Rios reigns queen supreme of the feminist blogosphere, overseeing the development of safe spaces centering the feminine narrative as Managing Editor at Argot Magazine; reporting, rebelling, and truth-telling as Digital Editor at Ms.; and activating young women by melding fandom and social culture with current political issues as Co-Host of THE BOSSY SHOW podcast.
Indie-folk goddesses Elana Stone and Katie Wighton, together with their "sisters" Hannah Crofts and Georgia Mooney, cast a potent spell as All Our Exes Live In Texas, a fierce, musical foursome mixing masterful musicianship, heavenly harmonies, and a little feminism for good measure.
Embodying different Bettys colliding at the intersections of anger, sex, and "thea-tah", actors Anna Lamadrid, Tracey A. Leigh, and Elyse Mirto deliver a knockout blow to a thousand boring tropes about female identity in The Theatre @ Boston Court's production of Jen Silverman's brash, uncompromising, queer comedy Collective Rage: A Play in 5 Boops.
In That'swhatshesaid, a one-person performance using only female dialogue from the most-produced plays in America, performance artist Erin Pike acts out a brutal theatrical exercise in isolation, inviting audiences to observe the chaos and clarity that emerges when female characters are left alone with no male protagonists to support.